جدلية الهدم والبناء وتمثلاتها في عروض علي رضا المسرحية

Abstract EN

The current research included, according to the title (the dialectic of demolition and construction and its representations in Ali Reda theatrical performances), to be a subject for research.

The chapter included the importance of research and the need for it.

The importance of the current research comes in that it sheds light on the work on the two terms of demolition and construction within the work of contemporary directors' presentations, And identifying those concepts and applying those concepts of demolition and construction by the modern director (Ali Rida), who formed a phenomenon in the Iraqi theater, as well as trying to stand on his most prominent artistic stations and directing experiences by identifying his performances that contributed to the crystallization of a new concept, which is demolition and construction through His dealings with text and presentation, as for the need for it, is that it benefits all scholars and researchers in the theatrical field, in addition to that it benefits those concerned with theatrical arts to develop their directing vision, as well as the goal of the research focused on (recognizing the dialectic of demolition and construction and its representations in Ali Reda's theatrical performances) and the temporal limits of research.

Y.-Y.19), spatial (Iraq) and objectivity, revealing the demolition and construction dialectic and its representations in Ali Reda's theatrical performances, and defining the terms contained therein, while the second chapter was devoted to (theoretical framework) with three sections, the first topic included: (the dialectic of demolition and construction, the concept and the term) and the researcher dealt with the theories of philosophers and their differences by putting forward these two concepts of demolition and construction.

In the third topic, which is tagged (the director's intellectual and artistic references), and then the investigations resulted in indicators from the theoretical framework.

As for the third chapter, it included (research procedures) and the research community included (1) theatrical performances.

Then the research sample came and the selection of (indigestion) was intentionally adopted.

The researcher in her research tool on the indicators that came out of the theoretical framework, and the researcher concluded with the fourth chapter, which included the research results, conclusions, recommendations and suggestions.