سمات التنميق في رسوم غوستاف كليمت

Abstract EN

This study, tagged (Features of Metamorphosis in Gustav Klimt's drawings), is concerned with investigating and searching for retouching features in the works of this artist and studying them through methodological frameworks and following procedural means that depend on philosophical and aesthetic approaches.

This study consists of four chapters: The first chapter (the methodological framework of the research): Firstly: the research problem, which raises the following question: What are the features of retouching in Gustav Klimt's drawings? Second: the importance of research and the need for it.

Third: The aim of the research: To know the features of retouching in Gustav Klimt's drawings.

Fourth: The limits of the research, which were limited to the study of artworks by Gustav Klimt in Vienna from the year (1A9A-19.A), Fifth: Defining and defining the search terms.

Chapter Two (Theoretical Framework and Previous Studies): This chapter includes two topics: The first topic deals with the features of retouching in artistic painting.

The second topic deals with the artistic characteristics in the work of Gustav Klimt.

After that, the most important indicators produced by the theoretical framework and previous studies were reviewed.

The third chapter dealt with (research procedures) : the research community (r.) and its sample of (*) artworks, the research method, and the research tool, as well as the analysis of the research sample models.

As for the fourth chapter, it includes the results of the research, conclusions, recommendations and suggestions.

Among the most important findings of the research: 1.The aesthetic stylistic characteristics are subject to the creative imagination that depends on the abstraction of plant, geometric and animal motifs, as well as the use of colors that carry bold, sharp and glowing contrasts to become like sublimation by emphasizing the artist's subjectivity to stem from the interiors of subjective reality, as in model (,,T).

2.The artist presented a mixture of allegorical and realistic themes, which gave the work a special harmony for the art of patina and mosaic, as in the model (\,).

The research reached a set of conclusions, including \.

1.The term embellishment features allowed freedom of interpretation away from the necessities of concrete reality.

2.The artist based his practical applications of stylization on the art of decoration, including its units and forms, on the theory of the golden ratio of geometric shapes.

The search ended with proven sources, references, and appendices.