تشكيل مجسمات خزفية مستوحاة من تصاميم الاسلحة الأشورية

Abstract EN

This research deals with the formation of ceramic models inspired by the designs of Assyrian weapons.

The first chapter included the general framework of the research, which included the research problem, which was represented by a question: the formation of ceramic models inspired by the designs of Assyrian weapons? The importance of the research also lies in-The importance of the research lies in shedding light on the formation of ceramic models inspired by the designs of the Assyrian weapons and showing its aesthetic dimensions according to the aesthetic, cultural and intellectual criteria.

- It benefits specialists and workers in the field of ceramics, especially students of primary and higher studies.

As for the objectives of this study, they were to know the formation of ceramic models inspired by the designs of Assyrian weapons.

While the study dealt with the temporal limits for the implementation of ceramic models from to Y., And spatial boundaries, University of Babylon, College of Fine Arts.

As for the objective boundaries, the current research is limited to the formation of ceramic models inspired by the designs of Assyrian weapons, as the researcher defined the terms in light of the nature of the current research.

As for the second chapter, it included two sections: the first topic was the Assyrian art, and the second topic included the designs of Assyrian war equipment.

From those sections, the researcher extracted his indicators about the theoretical framework represented by this chapter, while the third chapter contained research procedures and samples analysis.

The fourth chapter, which included the results and conclusions, is one of the most important results that he reached through his research, which is: .

The ceramic model was formed, inspired by the designs of the Assyrian weapons, according to the researcher's design vision.

The most important conclusions.

One of the most important properties of ceramic clay is that it gives space for formation.

It enables the potter to create worlds specific to the potter by employing, borrowing and renewing, and this is evident in the research achievement of forming ceramic models inspired by the designs of Assyrian weapons.