اشكالية الإنسان والعصر وانعكاساتها على الفن التشكيلي الأوربي الحديث

Abstract EN

The current study deals with the study of (the problem of man and age) quoting this problem from the emergence of different methods specific to each artist, and the transformations that accompanied those methods in the intellectual, value and social system and the new effective political and economic variables and the reflection of all this on the paths and visions of modern Western plastic art in form and content.

The study community was accurately limited, so the researchers were compelled to adopt what is available anddocumented from photographers in foreign sources, technical books and the global Internet to benefit from them in a way that covers the limits of the research and achieves its objective.

The total number of works amounted to (20) models of artistic works of the expressive schools (Expressionism -Dadaism-Surrealism) which represent the current research community.

The researcher adopted the descriptive analytical approach and chose three samples from the study community.

1.The most important results are: 1.The relationship between man and the age has witnessed a psychological and social problem, especially in the contemporary world, man's sense of alienation, duality and individuality, and the tendency of man and artist to have a taste that allows acceptance of noise, violence, ugliness and distortion.

2.

The human view of science, its discoveries, and technological development varied, as the early ages witnessed great fascination with these discoveries as a kind of compromise with the times and as part of its renaissance.

Real-time daily life, and this is what art strongly embodied.

3.The problem of man has grown with the times and increasingly, through the growth of revolutions, opposition and protest against all traditional patterns of power that were crushed by class struggle and human idiocy, which energized towards humanitarian and enlightenment movements, human rights associations and charitable associations, and this is what embodied the basics of artistic expression.