المرجعيات المؤثرة في تنوع الخطاب البصري لفنون ما بعد الحداثة

Abstract EN

This research tagged (references influencing the diversity of the visual discourse of postmodern arts) aims to reveal the perceptual and imaginative cognitive mechanism influencing postmodern arts and their visual outputs.

Was it in the formal construction or the diversity of display methods or the change in equipment and tools and the diversity of materials and raw materials on the visual surfaces, while the second chapter dealt with (theoretical framework) and included the first topic: the data of the visual discourse in art : and in it the tracking of the outputs of the visual discourse in the stage of modernity, is Reaching out to different visual forms and formulas that go towards the depth of transformations and the scientific revolution in the twentieth century, The visual discourse in art follows the change and change of the aesthetic sense of man, and the beautiful is based mainly on the relationship between form and the aesthetic need, so it does not lie and subject the single beauty and creativity to abstract concepts-with regard to the artwork, because the values of beauty were closely linked to the relationship between the subject and the object Which forms the basis for all awareness of aesthetic phenomena, that visual discourse contributes to the development of the individual's ability to imagine and present an idea or information using visual data.

As for the second topic: motives and influences in postmodern arts The research traces the overall trends and methods of postmodern art, its visual discourse, and the diversity of display techniques, since postmodernism is a set of overlapping strategies based on difference and contradiction in postmodern society as a result of globalization that led to the mixing of societies and civilizations and provided information, as the typical postmodern artwork, Realizes those elusive strategies and restrictions on identity and human discourse; then presents postmodern currents within the limits of the research topic.

As for the third chapter, the research procedures followed the influential references in the visual discourse of postmodern arts, the diversity of techniques, the multiplicity of materials, the openness of visual display in different directions, the overlap of genres, and the displacement of the physical borders of the artwork, and the research ends with the fourth chapter, which deals with the research results, conclusions, recommendations and proposals Among the most prominent results: the visual discourse in the arts of postmodernism acquiesced in removing the geographical boundaries between the genres for the overlapping of arts and knowledge fields, and continues within influential technical and aesthetic data.

The interaction of photography and its formal outputs and the diversity of techniques in it with postmodern arts through its direct entry into the core of expressive language and display techniques as a new means of aesthetic communication with the recipient.

And as the equipment and tools of modern thought displaced the dominance of the mind towards the thought of the model of individual pragmatism in cultural data and based on benefit and the state of adaptation to the variables imposed by events, then recommendations and proposals were put forward.