تمظهرات التكعيبية في خزفيات شيريل زكريا

Abstract EN

This research is concerned with the study of (the manifestations of cubism in the ceramics of Sheryl Zakaria) and it includes four chapters.

contained therein.

As for the second chapter, it included two sections.

The first topic dealt with cubism as an artistic and visual system.

In the second section, the researchers reviewed the aesthetic appearance in contemporary ceramics.

The sample, while the fourth chapter included the results of the research, its conclusions, recommendations and proposals, and the most prominent results of the research were: 1.Ignoring sensory data, relying on mental images, displacing the traditional form towards the currents of modernity are among the necessary considerations for the visual system in cubist ceramics.

2."Destroying the iconographic solidity of the form and establishing something like a link between the sensual pivot to the unaxis aesthetic, and this is undoubtedly one of the mechanisms for the aesthetic manifestation of the visual system in cubist ceramics.

Among the most important conclusions: The cubist appearance resulting from the sensory compatibility between the components of the single ceramic work of the same material and the optical category, which is evident from the compatibility of the coloring areas that bear the characteristic of lighting with the light projection areas and vice versa.

Between the contacts made by the potter.