شعرية النص الموسيقي في العرض المسرحي العراقي: مسرحية فرد عود-أنموذجا

Abstract EN

This research included four chapters.

The first chapter came (the methodological framework), represented by presenting the research problem centered on the following question: What is the poetics of the musical text in the Iraqi theatrical performance (individual oud-a model)? While the importance of research and the need for it was represented by highlighting one of the active elements in the formation of the structure of theatrical performance.

The need for it came from the fact that it benefits students and those interested in the field of theatrical arts to understand the mechanism of poetic work in generating the variable and different formulations for the elements of theatrical presentation.

The goal of the research was it is set temporally in Y, and spatially, Iraq, Baghdad, the National Theatre, and thematically the poetics of the musical text in the Iraqi theatrical performance.

The second chapter (theoretical framework), included two chapters.

Then I conclude the chapter with the indicators that resulted from the theoretical framework.

The third chapter (research procedures), included presenting a model (individual oud) and analyzing it to find out the poetics of musical texts in the theatrical performance.

The fourth chapter presented the findings of the research: The poetics of the musical text played an important role in enhancing the importance of dialogue in the performance of the actor, making the musical text a supportive ground for the actor to deliver in a harmonious manner, approaching the details of the voice and its performances, such as choosing the appropriate layer and the temporal rhythm consistent with the dialogue, as it achieved aesthetic value.

To work through surprise events.

The research also contained conclusions, recommendations, and suggestions, and concluded with a list of sources and references.