الموقف و التشكيل في الشعر الإسلامي المعاصر : قراءة أولية

Abstract EN

In this research, we try to study the contemporary Islamic poetry which is poets abode with the artistic language.

This poetry is governed by modern Islamic vision that competed the modern Arabic poetry which deeply originated in the programme of the unified vision.

This research discusses the aspects that the poets tried to write poetry in the stands and the artistic features that have a special pattern that appears in the research as such: a.

The stand and art that spread in the narrative poetry which dominated the art; this will be the main tendency of the poet.

The poem in this respect is an imposition in the situated stand.

b.

The stand and the beginning of the consciousness of the pure Islamic tone for the art, in the frame this consciousness with the beginning of the artistic development; this is blended with the creative stand.

They will be unified in the frame of the formed vision in accordance with Islamic (norms).

c.

The stand and the formation, so as to affect the artistic commitment with principle abiding, and the prevailing of the good pattern that enables us to bet on it as an Islamic art substitute.

Here we meditate a set of examples that can be analyzed according to their Islamic characteristic that imposes a special stand and art on it.