مصابيح أورشليم بين تفكيك الخطابات و إشكاليات التناص

Abstract EN

This critical approach deals with the narrative structure of ali Bader's novel "lamps of Jerusalem: novel about Edward said "which takes the polyphonic style as central component of its narrative discourse .It is characterized by its uneasy narration and its intertextualities is in contrast with the logic of semantic causation .add to that its different problematics need to violate the traditional movement of Arabic narration.

Observing this novelistic experiment needs a sharp scientific vision and accurate approach discovers the semantic hidden of narration which exceeds the limits of obscurity, confusion and chaos,intertextuality or quotations, the variety of characters and voices and the spatial-temporal overlap.

These are the most important characteristics of the polyphonic novel.

The writer intends special ideological considerations from the beginning where Bader depends on the cover painting as the initial semantic threshold.

Then the approach intends to analyze the title which is strongly related with the narrating discourse and stands for its nature question.

I also discussed and analyzed the declared targets of novel and the reasons of its writing.

Perhaps the central cause, which I treats in details and concentrately , in this approach is deconstructing the novel discourse and its intertextuality prblematics.I did not deal with them to tear the novel textuality and its structure unity but to discover and realize the covering secrets ,inside the novel ,which are hidden beyond the technique of intertextuality to express certain ideological visions.

I deal with the third encyclopedic part which seems is obscure with itself .

The most distinguished features of this part may be the big and various quotations of Ethernet.