الأنساق التركيبية للمخرج المؤلف في عروض المسرح العراقي نساء في الحرب أنموذجا

Abstract EN

The researcher in his research is marked by (formats synthetic, directed by the author in offers the Iraqi theater), the phenomenon of play has become a great importance in the system of theatrical talk, despite the fact that this phenomenon were not the result of this age, but grew up with theater ancient Greek, is seeking a researcher to take up the transformations experienced by this phenomenon to settle in the Iraqi theater, has chosen a play a play (women in the war) a model for consideration as belonging to that type theater that supports the theater director at his language drama in order to establish a space of a text is consistent with the vision of the director, which is based on interactively with the text and not in isolation.

The researcher reached to some of the results, including: 1 - that the use of text written by the director to the playwright gives him freedom in dealing with the text, so that the text is formed in the process of writing in the form of an outline for implementation and change on stage 2 - the adoption of director of new forms in the author's copyright in the collective exercise, as is the case with comedy Dearth, giving participants in the show's ability to generate new ideas to contribute to the development of supply away from the obligations imposed by the text of the author.