جمالية المكان في الرسم العربي الإسلامي : يحيى بن محمود الواسطي أنموذجا

Abstract EN

The God Almighty prefer on the Arab nation, and entrusted to carry his message to the secular world as a whole, , gave her all necessities of life in terms of location, who are the heart in the earth's surface.

From this blessed place emerged the greatest civilizations and the world has ever known for it than in human history, a four empires Alsamyat, Akkadian, and Babylonian, and Assyrian, and Chaldean.

And after them was born of her womb of Islam led by the Holy Prophet Muhammad bin Abdullah, peace be upon him, and opened the country and Intermarried ideas of heritage inherent to the syndrome of the regions that condemned Islam Resulted in art Thoroughbred-called Islamic art, was a special feature elaborated by Muslim artist and, in particular in drawing in which his body Wasti masterpieces known historical shrines in his drawings to Hariri and how to treat the place and fill the void and to overcome the direct simulation.

This study involved the introduction discussed the research problem, which depends on location.

The problem of the place, and hovering in orbit of the philosophical dilemmas that occupy the attention of many thinkers and philosophers throughout the history of human thought in general from the point of art, including painting in particular and knowledge form the year.

In the field of drawing the Arab-Muslim to be a place of privacy stemming from the doctrine of Islam, the Holy Quran and Prophet's approach, reflected in drawings Yahya bin Mahmoud Wasti, here the researcher defines the problem of this study in the form of questions are: 1.

How to Treat Wasti different place in his works? 2.

What does the place of emptiness in a graphics Wasti? 3.

What style he had used in his works painted Wasti? 4.

What topics addressed by the business? Also included provided on the importance of research, which in shedding light on the artwork to sample models from the work of Muslim artist Yahya bin Mahmoud Wasti in the seventh century AH.

The goal of the research, to reveal the beauty of the place in a graphics Wasti.

The limits were in the seventh century AH, the study of works that the artist creator.