ظاهرة التوازي في شعر الإمام الشافعي

Abstract EN

Poetry, an organism, derives its flavor from the cultural environments.

Neither the old poetry is damaged nor the new one is erased by death because poetry is the speech spirit, the self talk, the pulse of thought, and the purity of the language.

Poetry does not differ from the components of this universe where things are similar and different.

If parallelism as a term has emerged recently by Roman Aakpson, the Arabic rhetoric has known a lot of terms that reflect the essence of parallelism.

The Arabic poetry never left parallelism and its forms, but it varied in existence through the ages.

This research seeks to determine the manifestations of parallelism in the poetry of Imam Shafei, and how to organize the text components (both acoustic and synthetic components) .

Parallelism is both constitutive and organizational; it regulates the relations of vocabulary and structures, and it transmits the text from serenity to motion.

So, the researcher divided this research into four main sections, and an introduction: which introduces Imam shafei and the concept of parallelism and its relationship with the Arabic rhetoric.

The first section handles the acoustic parallelism; the second section: the morphological parallelism, the third section: the lexical parallelism; and the final section, is concerned with grammatical parallelism (synthetic) and its impact on the cohesion of the text.

The researcher was keen in all categories on highlighting the impact of parallelism on indication and rhythm.