المخرج و الواقع الافتراضي في المسرح

Abstract EN

The dealing of the contemporary director with the optical techniques considers different of that it was in the past.

Whereas many studies,preformences,currents,and the European theatrical experiences, had confirmed and still confirming on the director's work, the actor, fashion, lighting, decor, as a new theatrical performance ring, starting with Greak, Abia, Arto, Maerhold, Krotovisky, Joseph Shaena, Brook, experiences, confirming on the importance of the director's work and the elements dynamism that are employed in space.

That’s mean that the optical sight would be by the picture's rhythm and the theater reality to create elements and forms of a new meaning.

The movement of the elements and the forms distinguished by their united and different rhythm within the performance, and that most of the pioneer experiences affirm on not using the ordinary places, and present performances in the street, museum and pool, and change it to un ordinary places, with noting the change in the place, reality and each work.

While the director in the virtual reality deals with his other virtual techniques like fashion, décor, lighting, make-up by digital means depends on technique and technology in dealing with other techniques and elements.