Untying and deconstructing the text in post-Shakespearean renaissance tragedies : theoretical underpinnings
Author
Source
Jami'a : Journal in Educational and Social Sciences
Issue
Vol. 2007, Issue 11 (31 Dec. 2007), pp.23-35, 13 p.
Publisher
أكاديمية القاسمي مركز الأبحاث التربوية و الاجتماعية
Publication Date
2007-12-31
Country of Publication
Palestine (West Bank)
No. of Pages
13
Main Subjects
Topics
Abstract EN
There is a case to be made that the Jacobean dramatists namely, Thomas Middleton, Cyril Tourneur, John Webster and John Ford were changing the scope of tragedy as generally perceived away from both Senecan and Aristotelian models.
In this, they included elements of self-parody, where the capacity of the self to fashion itself is satirized.
Out of this generic polyphony, something distinctive emerged.
American Psychological Association (APA)
Muhammad, Hassan. 2007. Untying and deconstructing the text in post-Shakespearean renaissance tragedies : theoretical underpinnings. Jami'a : Journal in Educational and Social Sciences،Vol. 2007, no. 11, pp.23-35.
https://search.emarefa.net/detail/BIM-612569
Modern Language Association (MLA)
Muhammad, Hassan. Untying and deconstructing the text in post-Shakespearean renaissance tragedies : theoretical underpinnings. Jami'a : Journal in Educational and Social Sciences No. 11 (Dec. 2007), pp.23-35.
https://search.emarefa.net/detail/BIM-612569
American Medical Association (AMA)
Muhammad, Hassan. Untying and deconstructing the text in post-Shakespearean renaissance tragedies : theoretical underpinnings. Jami'a : Journal in Educational and Social Sciences. 2007. Vol. 2007, no. 11, pp.23-35.
https://search.emarefa.net/detail/BIM-612569
Data Type
Journal Articles
Language
English
Notes
Includes bibliographical references : p. 32-34
Record ID
BIM-612569