في أسلوبية النص : قراءة في قصيدة (هوامش يمانية على تغريبة ابن زريق البغدادي)‎ للشاعر عبد العزيز المقالح

Abstract EN

The aim of the present study is to reveal the stylistic characteristics that make a text different from other texts, even if the two texts belong to one author.

That object is achieved by making use of the stylistic approach of the text as an analyzing tool of the text itself, without broaching genre stylistics, author stylistics, or stylistics of one poetic book.

The study deals with one independent text (poem): Hawamish Yamaniah Ala Tagribat Ibn Soriq by: Abdulaziz Almagalih The poem is considered to be one of the most outstanding poems of Almagel.s poetry in its vision, coherence and cohesion.

It is also considered as the first poem in which he mixed the traditional style of Arabic poetry and the new free verse form.

In this poem contradictories come together to form one texture at all levels: the subjective and objective, the variations of musicality (rhythm), the syntaxic structures, the different rhetoric components of the text, and the interior and outsider factors that give this text its own stylistic print in terms of harmony of its different components.

By this unity of the various factors of textual structuration the text produces its own poetics and achieves its poetic transcendence.

The poem is dealt with as one self- sufficient structure, and as a production of the significant practice of the language inside the text itself.

For that reason the chosen approach of the study is text stylistics and not genre stylistics or author stylistics.

It is hoped this can help in revealing the stylistic characteristics of the text (the poem).

The study analyzes the text at its surface and deep structures, its significant productivity, its linguistic categories, and the presence of subject (the speaker in the text) and object (non- subjective aspects in the text).

Finally, the study tackles the micro- structures of the outsider rhythm, and the poetics of rhetoric components of the text.