الصورة النثرية في رسائل الخلفاء الراشدين (رضي الله عنه)‎

Abstract EN

purposes represented by messages, hija'a, pride, enthusiasm and moaning in addition to the other purposes like complain, describing and the apology.

His praise was honest in loyalty to a messages s for his Hija'a he employed it to h messages is tribe and in his pride he was best to his people where he used all the pu messages rposes which were used by his era poets.

As for chapter two it studied the artistic side where it was divided into four inquiries (poem structure messages music, poetic image and utterances and constituencies) and he wrote on the famous Arabs meters (simple, integrated, long, rich, the sloppy, the light, the partial integrated ).

As for his rhymes he was accurate in choosing them and they were absolute.

As for the internal music he depended on Al- badee he took care of the poetic image.

And the simile was the great portion of his messages then came the metaphor and Al- kinaya and the direct movable image.

As for his utterances they were easy, clear and of good expressing.

Where the poet used the utterances which suite his messages poetic purposes.

And he used the request style (inquiry, command and calling).