البناء السردي في نصوص (عبد الحسين ماهود)‎ المسرحية

Abstract EN

Strengthening of the innovative concepts in the literature and launching them in the arts field, in general, and theater, in particular, is enhancing the chances of occurrence of theatrical text and strongly in the overall literary scene and the appearance of the manifestation of its presence.

However, the most prominent feature today is the appearance of that overlap between the races with each other and all manifestations of narrative presence and their visions and concepts.

Yet, seeing such overlap among races, all texts, literature and theatre, in particular, is a direct manifestation.

Tackling the concept of narration theory and applying such concepts of significance within the theatrical text structures is not distant from that jostle and texture among all literary races.

Launching one of the outstanding names of the Iraqi and Arabic writing is a fruitful experience in dealing with this narrative practice within its textual and theatrical construction in particular.