الحكاية الخمرية النوايسية : العناصر الفنية و المثاقفة : قراءة ثقافية في قصيدة "وفتية كمصابيح الدجى غرر" أنوذجا

Abstract EN

Abou Nouass is among the biggest contributors to developing Dionysian poetry, and creating its most important art being the art of the Dionysian tale.

Mixture being one of the artistic vision foundations, it’s also a part of a poet’s cultural and civilizational reality.

This poet mimicked in his Gaii poetic texts a handful of artistic and cultural ends, strengthening the relation between poetry and tales, and canceled the separation between the sacred and the profane, he also dedicated tales in poetry depleting the void between the ends of poetry and the ends of prose, and made Dionysian texts have an serious and open dialogue with coran texts.

So there is no wonder in finding a mixture of religions, civilizations and cultures In Abou Nouass’s poems moved by a mixture in the words, those being: wine, water, songs and music, and those are the elements that fused similarly to the fusion of new concepts that appeared in the abbassid age, thus came the intertextualitys that defined the Dionysian poetry genre generally and his Dionysian tale specifically.

Adopting an endless realm of different dimensions