سيمياء القصيدة : الحزن علامة شعرية دالة

Abstract EN

Semantics is an immense and comprehensive concept with its multiple and developed functions.

It constitutes a world of its own.

The semantologist is working with his theoretical and conceptual systems, and he is primarily concerned with the element of language, its expressive specificity and its semantic load, and when this element enters the space of the poem, it becomes a rich material carrier that enriches the poem and contributes to the development of its structure and vision together.

The sign of sadness is one of the most important signs of semiotics in ancient and modern Arabic poetics.

The poet, Mohammad Mardan, is one of the most prominent modern poets who have interacted poetically with the theme of grief as an authentic signifier.

as he was able to employ the energy of grief by employing poetry, pointing to the eye of reading at the level of image, language, specific and general poetic effectiveness, through a rich experienceand a special temperament and special awareness.

His sadness was often associated with the love project, which absolutely dominated almost the poetics of all his writings.

There is a strong relationship between love and sorrow in the deep essence of the poetic sign that poet Mohammed Mardan seeks in particular to produce.

The poet Issa Sheikh Hassan transforms the splintering sadness in his depths and reality, into a specific poetic state, especially through the language of displacement which is characterized by its elegance, and its structures rich in aesthetic, semantic and rhythmic data.

Perhaps the attention of the poet in his language expresses his awareness of the importance of the linguistic context in the production of the poetics of experience, because of the representation of this context in the process of creative creation, it is the major source for the transmission of poetry.

If the language responds to the poet's perceptions, concerns and preoccupations, then moves them from hidden sources to the extensive space of writing, they respond better to the experience of grief as a psychologicalemotional experience with a human dimension.

It resembles somehow a poetic philosophy of life