صورة الموت في النص الشعري بين فيدريكو غارثيا لوركا و أمل دنقل : دراسة مقارنة

Abstract EN

Death is an essential dimension of the poetry of both, Federico Garcia Lorca and Amal Dunqul, which highlights the many ways in which their respective lives were similar.

Lorca was born on the 5th of June 1898.

He is considered by Spanish and international critics to be one of the most popular and most influential poets of the twentieth century.

His celebrated poetry collection Poeta en Nueva York (translated in English as Poet in New York) was written during the period he attended the University of Columbia (1929- 1930) and was published posthumously in 1940.

In this collection، where death is a key theme, Lorca expresses his deep feelings of sadness and anguish.

His refined empathy with fellow human beings is embodied in his identification with the struggles and aspirations of the poor throughout his life, which tragically ended with his assassination in 1936.

Like Lorca، Amal Dunqul remained faithful to the poetic and human values he prized right till the end of his life.

In his poetry، he stands for the under trodden، a theme which is, for him, perennially linked to the dire situation of the Arab World and its many contradictions.

Like Lorca, his poetry describes the reality he lived and upholds the values of truth، justice and freedom.

This study tackles the theme of death and its philosophy in the poetry of each of them through a selection of poems in which it is the focal point.

Highlighting the respective cultural backgrounds which shape the consciousness of each poet, the study analyses the concept and the factors which contribute to the prevalence of the theme of death in their poetry.

It also explores the textual, imagery, and semiotic aspects associated with death in these poems, highlighting the unique style of each poet in relation to their use and expression.