دراسة البنية الدرامية في نصوص الخيال العلمي للمسرحيات و الآليات التي اعتمدها الكاتب في صياغة نصه الأدبي المسرحي الذي ينتمي إلى أدب الخيال العلمي

Abstract EN

This research is concerned with studying drama structure in the texts of the science fiction play and the mechanisms adopted by the writer in the formulation of the text of the literary drama that belongs to science fiction.

The research is divided into four chapters divided as follows: Chapter I: The methodological framework for research and the integration of the problem and the importance and objectives and limits and definition of its terms.

Chapter Two: Combining two subjects: The first part: the presentation of the drama structure in the doctrines and the currents of the theater from Aristotle to the end of the irrational Brama address elements of the composition of theatrical text is plot, language and personality.

The second topic has included several axes.

The focus is on compatibility and conflict between science and literature.

The second axis concerned me with the definition of science fiction conceptually and the right of the axis of science fiction literary genres ie story, novel, theater and the conclusion of the chapter of science fiction in the Arab world and the result of the theoretical framework.

In the third chapter of the research, two samples were chosen from a society consisting of fourteen theater texts of four books belonging to different nationalities: Karel Chabik, Tawfiq al- Hakim, Mour Rice, Raid Pride Puri, and Anbar.

The play was chosen as a cartoon and a play.

The researcher adopted the descriptive approach (content analysis.) The fourth chapter includes the results, conclusions and recommendations, and then the proposals and the conclusion of the search list of sources, the most prominent results is the author's dependence on two external networks and the multiplicity of ideas within the same text, and the characters are typical characters work programs, which are models used by the writer.

Language was easy, simple and uncomplicated, and the plays reflected the pessimistic vision of the scientific revolution.