التناص و أثره في انسجام النص : دراسة تحليلية

Abstract EN

This research examines the term intertextuality in two ways: The first point: take care for the clarification of the concept of intertextuality, starting from its inception at the hands of Arab critics, under the name of literary theft, to the evolution of its concept after the influence of Western schools, especially Bulgarian linguistic "Julia Kristeva" .

this concept has moved from lexical connotation that did not come out for significant congestion, visibility, and accumulation, appearance, and the combination, and the survey, and stirring, to the stability of its meaning in the contemporary critics opinion where it became a means to present a text for another text, considering all based on the overlap text and sharing, and juxtaposition, to a group of migrating to the texts, and stable in it, according to different degrees ranging between the surface, and hidden.

The second point: working to show the extent of his contribution in harmonizing the text and proceed in that of De Pew Grand opinion theorist (Robert Alain De Beau grand) who connects the intertextuality, to the physical, cultural and social context surrounding text.