الرواية الجزائرية و إشكالية الهوية الأدبية

Abstract EN

This article will try to uncover the generic confusion posed by the novel (disaster of the seventh night after the millennium) in a journey to find her identity as a literary text at a time when it gamble to enter the history, and because the novel tried to ask a problematic of the Arabic generic novel by trying to break free from the genre (the novel) to keep identity discourse, across evoke the historical origins period in the history of the Arabic narratologie, to be text ranged the writing between history and literature, between the report of the forgotten history, and the conversion of the official history to literature, and this Article will seek to highlight the commonalities between the novel and the old Algerian narration representatives through Manama and in relation to a (thousand and one nights).