القصيدة التشكيلية في الشعر العراقي الحديث

Abstract EN

Invested poets of modernity check their texts poetic deal of creativity, it has influenced the modern way of writing the poetic structure of the text as proposed by the writing of the new potential of the semantic and qualitative and formal levels, break even this modern form of the familiar writing system, and this is one of the important phenomena in the study of the text poetic, winning Valandziah in shape typical of the poem written in this new format made the visual image to form a sort of replacement of the traditional form of the poem, and this is manifested different manifestations, including: dismember one word, or break up the floor scattering letters on the whiteness of the paper, so it was not must stand at this new format and the study of the most important manifestations, and implications of his writing, as well as a reference to the technical terms of reference, by talking about the most fundamental keys to write a research, ranging from general concepts, and ends by talking about the overlap happening in the various arts, especially between poetry and painting, is interpreted attention to all signs of writing the poem Fine and its components, and to show to the recipient as Mtdhuqa or as a specialist in poetic movement, is an indication of a turning himself the recipient, who became receptive to an active position, as well as interest in the job influential form stanza newly hinting in the poem, Vhsal attention to aspects the poem whole including vacuum as a space to indicate, as has become the organization of the written form of the hair of the most important manifestations own; therefore represented poem Fine in Iraq, the level of compensatory which employed optical image even alerted critics to the role of the mark and using them to point to sign the text.