ثنائية الشكل الواقعي و المختزل في فنون ما بعد الحداثة : الفن الرقمي أنموذجا

Abstract EN

The current research dealt with the two dimensions of realism in the art of postmodernism, which is part of the process of interest and research study and analysis of the samples that dealt with the content of digital art, where the first chapter included the problem of research, which was formulated through the question: (What is the dual form of realistic and reduced in art Post-modernism and specifically digital art?).

The chapter also included the importance of defining the two-dimensional, realistic and diminutive form of postmodern art in digital art.

The chapter also included the objective of research to identify the realistic and cutting-edge forms of postmodern art in digital art.

It was Zaman O (2010-2016) and spatially sourced websites.

The second chapter consisted of two sections, the first of which was defined as the concept of reality and the postmodern dimension.

The second topic was the content in the postmodern arts.

The third chapter included the research procedures and identification of the research community consisting of (37 samples) which the researcher was able to collect and limit within the limit The researcher completed the descriptive approach for analyzing the samples.

The research concluded with the fourth chapter which included the conclusions, conclusions, recommendations, suggestions and list of sources.

Among the most important findings of the researcher were : 1- Reclaiming the reduced contents and the emergence of the realistic form in the works of art by showing the strengths and acquisitions and control and weakness and destruction in the drawings of digital art that explain one way or another the contents.

2- The form of dealing with the organization of the constituent units of the drawings of digital art is a consensual relationship with the general reduced contents as in all sample models.

This diversity was used with emphasis on enhancing the compatibility between organizational units and contents.

3- Influence form formulations in the drawings of digital art, the aesthetic and stylistic search data of the artist, and according to the organizational process in linking shapes, as in all sample models.