الإرهاب و علاقته بالتطرف الديني في الدراما المصرية : بين الإلتزام الفني و الخطاب السياسي

Abstract EN

The study aimed to identify how to deal with the political issue of terrorism through Egyptian cinematic discourse.

it also aimed to approach the impact of the global and local political structures on drama work, and how the drama fought through its film speech terrorism and extremism.

one of the most important findings of the study: that the Egyptian film managed within different stages of governance to convey some details of the case and its roots in the Egyptian society, and if it exaggerated the characterization of that Islamic character in relation to terrorism and religious extremism in models may be abnormal in order to reflect the dramatic work in its expressive structure, the causes of the phenomenon, and the surrounding political and economic circumstances that influenced the film industry in dealing with the issue.

in general, the Egyptian cinema was able to deal with this phenomenon in some way and stand for its reasons despite the regular monitoring of political power on the one hand and the censorship of the technical authority on the other.