خطاب الغروتيسك في الرواية الجزائرية : مقاربة في روايتي : "رأس المحنة" لعز الدين جلاوجي و "الوالي الطاهر يرفع يديه بالدعاء "لطاهر وطار"

Abstract EN

This study deals with the concept of "Grotesque" and its transformations from the art of painting and sculpture to the field of literature.

The authors use it to describe the contradictions of society within a carnival framework and create a blatant caricature that expresses man's anxiety about the present and reveals his fear of the future.

In this context, he was employed in the Algerian novel of experimentalism.

Does the new vision, which is rooted in the tendency of literary experimentation, really translate? Can he provide the reader with a clear picture of his social reality according to the concept of the term? The importance of this study is that it is an adventure that aims to reveal the ambiguity of this concept, and opens a new chapter for the university students in the critical lesson.

The most prominent of these studies is an article by Geoffrey Harpham, entitled "The Grotesque: First Principles," published by the Journal of Aesthetics and Art Criticism, summer 1976.