أسلوبية الانزياح في أعمال أدونيس : دراسة ظاهرة الانزياح على أساس نظرية جان كوهن في ديوان "أوراق في الريح" نموذجا

Abstract EN

The Defamiliarization of phenomenon has a special place among the researches of stylistics.

These studies consider the literary text, especially poetry as extraordinary text.

This study has attempted to Defamiliarization of phenomenon in the Adunis's poems especially "Leaves in the Wind" Divan.

That is full of various aspects of innovation and has poems and portrayed the poet's psychological and mental states beautifully.

In this Divan, repeatedly we see the relationship between words, between signifier and signified, is heterogeneous communication.

Since the poet used the language features in a manner that is inconsistent with the normal and usual language.

Thus, we choose this Divan to study innovation phenomenon in three levels: phonetic, Signifying and composition.

The purpose of this article is to find the aesthetics of deviation in the poet's poems.

The results show that semantic deviation is more frequent and the poet has been able to create an illogical and inspirational link between the sign and signifier using a paradox and synesthesia.

But the manifestation of defamiliarization in the syntactic layer is presented in the form hysteron proteron and parenthesis.

in the vocal layer, the conjugation of the foots and the use of echo have been frequent.

The poet has turned to deviation in the texture structure using lexical synonymy and using punctuation marks.

The aesthetics of the use of deviation species attracts the attention of the audience.

This research method is descriptive - analytical and is written based on John Kuhn's theory.