المبالغة في شعر المديح عند أبي الطيب المتنبي و ابن هانئ الأندلسي : دراسة مقارنة

Abstract EN

exaggeration in literature is art peak description and reaches the deepest sense.

The exaggeration Significant role in the blend between realism and fantasy, may be acceptable in certain limits appropriate to their positions came it be rejected if it leads to the facts and dressing truth with falsehood.

From this point, take this study Applied praises poets contemporary Abu Taib Al Mutanabi and Ibn Hani Andalusian area to identify the extent exaggerated hair praise and reveal common features that led to this art based on evidence from the exaggerations positive and negative, overwhelming their Mdaúhama Mstgosaia patterns employed bypoetry during their provisions.

Through this study, we can conclude: that exaggerations with high praises and I'm carefree Mutanabi to its maximum, a stem from the political and social conditions Anzk, which led to similar performance levels in poems.

The study proves that more exaggeration Al Mutanabi came in praise of »Saif Aldvlh« and the most exaggeration Ibn Hani Andalusian came in praise of »Al-Mu'izz«, where gave poets to Mamdouh recipes paranormal amaze the reader.

The collection of poets common features that they both had top trend, and perhaps influenced by Sufi poets in ways and Almicheah work in pushing them to the trend towards exaggeration and hyperbole in the poetry of praise.

Intended these two poets in Mdaúhama to describe the virtues psychological and physical to Mamdouhehma; Kalheimna, strength, courage, and generosity, beauty, science, and other exaggerations that is described by the »Saif Aldvlh« and »Al-Mu'izz.