جماليات سرد الجسد الأنثوي في العرض المسرحي

Abstract EN

The research studies the beauties of the reciting which may be resulted by the feminine body in the theatrical performance.

It included four sections.

The first section dealt with the methodical frame including its problem which focused on the essence of the beautiful characteristics of the feminine reciting body in the theatrical performance, its importance and its hidden aim to recognize the beautiful characteristics of the feminine reciting body in the theatrical performance and its limited tine in 2006-2017 and its location in Germany and the subjective limitation hidden in studying body in the theatrical performance, hence the limitation of the idioms and the definite ions.

The second section dealt with theoretical frame including three topics.

The first topic focused on the meaning of reciting, while the second topic was concentrating upon studying the reciting theories.

The third topic focused on studying the beauties of the feminine reciting body ending with the indicators that occurred in the theoretical frame.

The third section dealt with the procedures of the research including its sample named (the night of the moons completeness) and its article besides its system, hence analyzing the sample.

The fourth section dealt with results the research and its conclusions and the most important results were: 1.Donating the performance a special sign and characteristic to the feminine reciting body in facing life and emergent circumstances which revealed its ability towards the events.

2.There is a special reciting for the female prevailing her reciting performance due to many factors like revealing secrets complaint, fear, desire and expressive dance towards events and circumstances.

3.The performance showed abilities to treatment and reciting manners and treating human problems by scenography techniques.

The research was ended by footnotes list, hence a list with references and sources.