الأنساق الدلالية في التصوير الإسلامي

Abstract EN

This search tackles the study of the evidence of format in Islamic photography.

It lies in four terms.

The first one, the problem of the search and its importance, needs, aim, limits and identify the importanttermscontained in.

The research problem concludes the subject of the study of evidence fame in artistic works which is produced by Islamic photography Schools like Baghdad school, Persian School, and school Ottoman.

Evidence formats is considered an important aim for structural, intellectual, systems which produced different subjects.

The research problem appeared through the following questions.

-How the artist Muslim could achieve practical presence for evidence format in Islamic photographic products.

The second chapter tackles theoretical frame for these two searches The first one is (analytic for the term evidence format in Islamic art).

The second one is (evidence approachin Islamic photography).

While the third chapter tackles (Search Procedures).

For the fourth chapter considers the results and conclusions of the search.

Firstly