جماليات القصيدة الأسرية : قراءة في نماذج منتخبة من ديوان (مخطوط موصلي)‎ لمعد الجبوري

Abstract EN

The family-oriented poem forms a creative content strongly linked to the area of the modern Arabic poem, and a considerable contributive element in shaping its features, by characterizing it with an autobiographical family stamp through which aspects of the characteristics of the poet appears in addition to the local nature of the family relations within the boundaries of a society.

The poem forms an important content corner of the poetic of Ma’ad Al-Jubouri’s Diwan (Makhtout Mosulli) as it appeared in a remarkable presence in its area, whether through the penetration of the family stamp segmentally in the structure of some poems that deal with another content, or through the poet’s devotion of entire poems to the family concern.

Thus, some poems comes as a pure family-oriented, like (Ruqqaya), (Hamamu-beit), and (Tahtal-Aqwas waheedan).

These are poems that we will discuss in this critical view, as a variety of issues that express the family concern and cling to its characteristics.

They draw the attention to study the manifestations of the aesthetics of the familyoriented poems, and the placements of its poetic in the abovementioned Diwan.

We attempt in this choice to diversify the mode of treatment.

Based on the conviction that the study of these three poems can present provisions characterized by accuracy and comprehensiveness to a large extent in the detection of the aesthetics of the general practice of this creative style of the poet