ملامح صورة الخطاب النسوي في الشعر العراقي الحديث : عقد السبعينيات إنموذجا

Abstract EN

The critical motion in Iraq was closely related to the generation of the poetic generation in the seventies by monitoring the principles, perspectives and visions of that generation on the level of poetic data that they launched or the opinions of the poets belonging to the generation.

The critical motion studies referred to the approach of poetry in the seventies and reconciling it with everyone and reality.

The poet (he or she) is a member of society, it is possible to inherit things that do not exist or are separate from him.So he lives in contradictions of society and all its contradictions and it may open his eye on all those contradictions in society, and hence the theme of women is a new axis reflected the emergence of the trends and critical currents as a theme corresponding to the masculine presence of society, and stems through this theme problematic consciousness of women embodies this in the presence of traditions and customs of the component of women.

In addition to their awareness in the direction of those customs and traditions to promote themselves, and in addition to the above highlights the findings of the research feminist discourse needs many elements to be straight The most prominent of these elements is the social structure and the cultural environment that contributes to the formation of a speech whose specificity is the women, a human being surrounded by a group of obstacles that surrounds her to face the other in all its forms, which is reflected in the same women in the confines of the narrow space in which she lives