المرجعية الجمالية : دلالتها و طبيعة تحققها في العمل الفني : الفن العربي الحديث نموذجا

Abstract EN

This Study starts to examine and read the term "Aesthetic Reference," as it is an original representati on that form of the model and example, whichmeans the physical, sensory or conceptuel result achieved by a mental and intellectual conception.

That refers to the expérimental relationship with the work of art to certain meanings and special signs, as well as to the creation of new forms and perceptions acquired by the artistic achievement.

Fromthis, the term "Aesthetic Reference" can be included in the modern terminology base, which overlaps its meaning and content, ratherthan a cognitive field, werther linguistic, historical or aesthetic.The studyalso assumes the approach to the beginnings of the first features that formed the experiences of modern Arab art, represented by the endeavor of the leading Arab artists of the 1940s to take advantage of the local and cultural artistic heritage as an aesthetic reference, Whichwas the starting point for a technical exercise bearing its national identity.

Which continue to influence in subsequent Arab technical experiences and trends