عبقرية أبي العلاء المعري في فلسفة التضاد : ظاهرة الأنا نموذجا

Abstract EN

The subject of this study is the genius of Abu Ala Al-Ma'arri in the philosophy of antagonism, the ego phenomenon as a model.

It came in the forefront of four investigations and a conclusion..

In my introduction, I have related to the literature of Abu Alaa in general, and his poetry from poems and passages, and what I have preserved in his diwaniya: Al-Zind and Al-Zaymiyat fell in particular, and what I get from him is knowledge of man, soul, philosophy, ideas and principles through his literature .

After a careful study of his poetry, I found out that he had been fluent in Arabic and had a sense of meaning.

It appeared to me in the fall of the idol poet poet, praises and whispers and inherits and boasts and attributes and describes.

In my need, he seemed to be a wise philosopher, a fervent preacher, a sad pessimist, a hopeless loser.

The imperatives seemed to be a system of his ideas and principles, which he advocated and advocated.

He began them and reintroduced them in various weights and rhymes.

It has been shown that he used all of the arts in his poetry, or most of them, in recognition of the importance of music, and its impact on the same recipient, and clarification of his ideas and the embodiment of the principles, and a manifestation of linguistic superiority and artistic.

And that he used antagonism in particular; in response to his psyche and philosophy, which was a mantle of diodes and antagonists