التصوير الادمي والحيواني بقصر أحمد باي بقسنطينة

Abstract EN

The subject of photographié is considered as one of the basic éléments in the décoration of almost all Islamique establishments, thus forming one of the essential éléments in the works of art in all its forms and sizes, despite the rumors that it is unpalatable to some scholars especially with the beginning of the formation of Islamic civilization, Muslim Muslims continued to develop this art until the Ottoman era.

Here in Algeria we take, for example, the Ahmad Bey Palace, which retains models of human and animal images on the walls of the Umayyad Mosque.

Ceramic and plaster born, tiles.

The photography that was common in Islamic societies has known diversity and taking forms of nature after abstraction in order to avoid matching the creator.

Can the artiste reconcile his artistic tendencies and the development of Natural éléments, avoiding collision with Islamique Law?