فونولوجيا التنغيم و النبر في بنية المنطوق العربي

Abstract EN

The specificity that has impressed the research in acoustics and phonology in supra-segmental and supra-prosodic units can be summed up in its fixation on modes of performance and physical aspects, understood as melodic variations (prosodic).

/ intonatives) dependent on psychological, operative and physiological factors closely correlated to pronunciation, in fact not recording any constant phonic unit, and this through most of the natural languages.

On the other hand, one can not omit the linguistic value that his sequences operate through the locutionary suites, of expressive function speakers following the physical effect that loads his tonal and prosodic colorings, and this from the sensory impression that generates the infinity of psychological expressions as much in the speaker as in the addressee, and this as pleasure and displeasure, tranquility and anxiety / emotion, and which, however, requires a joint enforceable harmonization with adequate expressive modes, to as affirmation and questioning, denigration and praise, petition and interjection.

As such, we intend, through this essay, to present a set of propositions likely to highlight the physical aspect of the tonic and prosodic sequences that conveys the linearity of the oral discourse, also we estimate to approach its functional and phonological dimensions and their involvement in building meaning and meaning through the construction of oral speech.