الصورة من اللاأيقونية إلى ما وراء المدلول في الفيلم السينمائي القصير (The black hole)‎

Abstract EN

This study includes an approach for the filmic (cinematic) image, in the light of the Icon as a sign transmit to its subject through the qualities that it carries.

Either found or not a subject, which does not work only within the framework between the actor and homologues pictures.

As a direct way to convey the idea of the sense of the icon, which should carry meaning to, or a group of contents; so we shall clarify the axes that constitute the icon in the film “The black hole”, as it does not stop at the iconicity and similarity idea, but even exceed the semiosis beyond aniconic significations, which is composed of multiple contents, go through the blurred image to the idea; to reach beyond the meta-semiotics, and the virtual transfiguration, which is what our study seeks to approach, in light of harmonization of form with its image for the production of significance