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المسرح الجزائري و البحث عن الهوية في معطيات التراث : مسرح علولة أنموذجا
Author
Source
Issue
Vol. 7, Issue 2 (30 Sep. 2018), pp.90-96, 7 p.
Publisher
Publication Date
2018-09-30
Country of Publication
Algeria
No. of Pages
7
Main Subjects
Social Sciences (Multidisciplinary)
Abstract EN
the Algerian drama writer have been chosen since its inception, to take his texts of popular heritage types, and has been postponed the objectives of use of this types of popular heritage, my he has theater author who chose him as rooting a new type of theater, under title experiment in the theater.
And others who have connected the masses with his own heritage, especially since the period of appearance of the Algerian theater coincides with the existence of French destruction in Algeria.
And his many attempts to blur the Algerian identity.
And the other playwright have done it as more for cultural mating.
As it is rich in legacy of symbols and suggestive clues that help the writer to address the social problems that prevail.
American Psychological Association (APA)
ابن لباد، سالم. 2018. المسرح الجزائري و البحث عن الهوية في معطيات التراث : مسرح علولة أنموذجا. الفكر المتوسطي،مج. 7، ع. 2، ص ص. 90-96.
https://search.emarefa.net/detail/BIM-923848
Modern Language Association (MLA)
ابن لباد، سالم. المسرح الجزائري و البحث عن الهوية في معطيات التراث : مسرح علولة أنموذجا. الفكر المتوسطي مج. 7، ع. 2 (أيلول 2018)، ص ص. 90-96.
https://search.emarefa.net/detail/BIM-923848
American Medical Association (AMA)
ابن لباد، سالم. المسرح الجزائري و البحث عن الهوية في معطيات التراث : مسرح علولة أنموذجا. الفكر المتوسطي. 2018. مج. 7، ع. 2، ص ص. 90-96.
https://search.emarefa.net/detail/BIM-923848
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن مراجع ببليوجرافية : ص. 96
Record ID
BIM-923848