المخاتلة السردية، تمثلات "ثقافة الهامش" في السرد الروائي

Abstract EN

The narrative literature concerned with the daily life of a broad human sector has been subject to many readings and revisions from both formal and functional perspectives.

However, the challenges posed by this narrative pattern do not stop, and the questions generated by interaction with it do not end, especially in the case of the cultural polarization of the world.

The policy of globalization, which succeeded in imposing its currents on the world and its culture د.علاء عبد المنعم إبراهيم 41 The present study is an attempt to address some of these challenges and to address some questions of cultural criticism, considering the text to be "a cultural event and not merely an aesthetic text.

The texts are established by the cultural author.

This does not mean that cultural reading goes beyond the aesthetic function of the text or becomes an alternative to it or to others.

Of the communicative functions of the language or deny the availability of aesthetic and semantic values and historical, subjective and social dimensions in texts.

It stems from the assumption that there are cultural dimensions that control us and our letters and affect the efficiency of the communicative process to interact with the aesthetic counterpart With its explicit and implicit dimension, as the textual structure is formed through a reciprocal movement between the internal text space and external components, so that the reading elements of the textual architecture become an approach to a discussionable, extrapolative and analytical meaning in the context of reality.

A greater context for the attraction of textual references and social realities.

" In the light of this perception of the cultural-textual function of the text, this study will attempt to identify the manifestations of the narrative representation of the cultural patterns in the novel " lahes Al Aatab" by the Egyptian writer Khairi Shalabi The first is related to the concept of the study by the word "popular", where it means - unambiguously - this wide stratum of marginalized (socially, politically, economically and culturally), which in essence constitutes the strength of self in its collective sense, Among the members are "the common denominators of which they trade as a product of collective experience, all of which have the same right to use and invest." The second point is linked to the selective pattern of the working body.

The analytical approach to the novel "lahes Al Aatab" Cultural does not mean limited to the text value to work on this side.