النظريات المفسرة للخلق الفني

Other Title(s)

Explanatory theories of artistic creation

Author

بسنوسي، سيدي محمد الغوثي

Source

مجلة الدراسات التاريخية و الاجتماعية

Issue

Vol. 2019, Issue 38 (31 Dec. 2019), pp.326-344, 19 p.

Publisher

Université de Nouakchott Faculté des Lettres et des Sciences Humaines

Publication Date

2019-12-31

Country of Publication

Mauritania

No. of Pages

19

Main Subjects

Psychology

Abstract EN

Research in beauty has been of particular importance in human conjecture since ancient times, but the aesthetics as the philosopher A.

G.

Baumgarten called it, were not singled out as an independent branch of multiple philosophy, but as a special, self-standing science until the mid-18th century, primarily in a German context.

It is inevitable that there is disagreement between researchers in their perceptions of the aesthetics of things and their connection to nature and man, and that the conflict has widened as far as the balance of judgment is concerned.

In order to obtain the right of the subject in its conceptual and theoretical aspects, we have tried in this investigation to summarize the various trends that were presented to discuss the beauty and nature and weights.

American Psychological Association (APA)

بسنوسي، سيدي محمد الغوثي. 2019. النظريات المفسرة للخلق الفني. مجلة الدراسات التاريخية و الاجتماعية،مج. 2019، ع. 38، ص ص. 326-344.
https://search.emarefa.net/detail/BIM-934788

Modern Language Association (MLA)

بسنوسي، سيدي محمد الغوثي. النظريات المفسرة للخلق الفني. مجلة الدراسات التاريخية و الاجتماعية ع. 38 (2019)، ص ص. 326-344.
https://search.emarefa.net/detail/BIM-934788

American Medical Association (AMA)

بسنوسي، سيدي محمد الغوثي. النظريات المفسرة للخلق الفني. مجلة الدراسات التاريخية و الاجتماعية. 2019. مج. 2019، ع. 38، ص ص. 326-344.
https://search.emarefa.net/detail/BIM-934788

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 341-344

Record ID

BIM-934788