الكوميديا السوداء في مسرح ما بعد الحداثة : "صهيل الذاكرة الجريحة" للحسن قناني أنموذجا

Abstract EN

Black comedy is the modernist genre, dissident of the Greek Aristotelian rigor, it is the product of the combination of "comedy" and "tragedy", both in terms of the text and the presentation, so that the function of entertainment and purification is dwindling in the theater.

The pain and the tears almost equaled laught and comedy because of the criticism and the limitless criticism of the erroneous human reality, using the weapon of irony and contradiction, the sarcastic parody, exhuming the past to create an effect of shock and amazement to shake the artistic structure of conflict, intrigue and characters.

The unity of the action was broken by the mixture of themes, seriousness and humor were put side by side.

The viewer / receiver was thus forced to enter the labyrinth of infinite interpretation, the writer / director / actor aimed at enlightenment and change.

To this end, Hassan Kanani's play "The Whinny of Wounded Memory" as an example.