الذاكرة الانفعالية لدى الممثل المسرحي العراقي

Abstract EN

There is no doubt that the art of representation is one of the oldest arts that mankind has known through its long history.

Tatar has undergone many changes and theories on this art since the beginning of its founding.

however, the elements of the art of acting and the elements of the role and the stages of its preparation were only formulated in the last century by the Russian director Constantine Stanislavski the development of a method of representation based on the laws of human behavior through several means, including emotional memory, and how the representative to subject the body to the mind in the art of representation and in this research we will try to research the mechanism of emotional memory through its relationship with the performance of the actor.

the researcher focused on the question whether that performance is linked to references or is random, so the researcher felt that the title of his research emotional memory and its relation to the performance of the Iraqi playwright and then questioned the importance of research and the purpose of the research identified to identify the mechanism of emotional memory of the actor and interaction with them as well as what the requirements of harmony between the memory of the actor and the memory of the personality and then the researcher addressed the limits of time and spatial research and objectivity to conclude the first chapter in terms of research identified by the researcher in the memory of emotional performance and representative.

the second chapter was determined in two subjects.

the first topic was entitled emotional memory and its characteristics.

the second topic was entitled"emotional memory exploits in the performance of the actor." then the researcher tackled the previous studies and the results of previous studies.

as for the third chapter, it was determined in the research procedures.

the researcher examined the research society and the research sample which was represented by the oil slick play by Mahmoud Abu al-Abbas and directed by Abdul Rahman and represented by Muhammad Hashim.

then he tackled the research methodology and then the research tool.

to the most important results.