التوظيف الجمالي للفن الإسلامي في لوحات المستشرقين المعاصرين

Abstract EN

This research means a study (Employment aesthetic Islamic art in the paintings of contemporary Orientalists) The first part of the research has been devoted to the statement of the research problem and its importance and the need for, and the objectives and limits, and to identify the most important terms contained therein.

The research problem dealt with the subject of employment aesthetic of Islamic art in oriental paintings, and the aesthetic of contemporary artistic formation of Orientalists affected by Islamic civilization.

The theoretical framework included a brief summary of Islamic art, its characteristics, features, various methods and aesthetic values in it, and also included the genesis of Orientalism and its types, after which the researcher touched on Selecting a random sample to show the extent of the great influence through the paintings that embodied the civilization of Islamic art.

The random sample included some artists such as: artist Jane Etienne, Gustave Bollinger Rudolf Soboba, Arthur von Ferraris, Eugene Delac Roa, John Frederick Luis Pablo Picasso, Henry Matisse, and artist Paul Klee