تجليات أدب الرعب في رواية فرانكشتاين في بغداد أحمد سعداوي

Abstract EN

Frankenstein's novel in Baghdad has dealt with the reality of living in Iraq with a fantastical instinct, which allows us to reassert its classification within the exotic realism where Ahmad Saadawi created a fantastical and terrifying personality.

This fantastical figure emerges amidst the jungle of messy bodies every day by the simplest and most blatant means of the human body.

The terrible fantasy event, the beautiful, funny and bloody vision of the Fantasia, is emerging again, in an atmosphere where the language of blood , muffler , the bombing of public places and the killing of those killed by the murderer kill, so in the darkness or in the broad daylight extends the hand of death to snatch whom want, it has the ability to catch , threats and act in a tense climate of hatred , hatred and mutual economic between the spectra of Iraqi society, many personalities pass in the novel and leaves its effects , its questions of existential and its breath in every corner and the place went through, presented in the novel substantially as the equivalent whole of the people, characters have their obsessions , ambitions, and daily concerns.

It is an in-depth psychological study of the characters, and a global panoramic image, attractive , those drawn by Saadawi of his vital and active personalities along the pages of the novel.

These figures include broker Faraj , the journalist Mahmoud, Baher Al-Saidi, the porter Hadi, Brigadier Sorour, Nawal, Zeina, Nabeel, Daniel Al-Gahaib, Um Saleem El-Baydah, Abu Anmar The owner of the hotel, Farid Shawaf, the magazine's designer, Hazem Abboud, Abu Selim sitting in his balcony watching the movements of passers-by in the street, and Aziz the Egyptian owner of the cafe, Time is very severe resulting from differing moods after the change that occurred after 9/4/2003 emerged various social problems, and was able forces , currents and social events that were suppressed to breathe , show their values and visions that were naturally rising in different directions due to inconsistencies in one vision, and disagreement on a comprehensive national project, from here we can explain the great repercussions that have had disastrous consequences on the Iraqi individual.

The Frankenstein novel in Baghdad attempted to approach the time of death, generosity, and cultural breakdown of the society through a near-reality simulation, employing its initial elements in the formulation of its imaginary discourse.

We attempted to pursue the rhythm of time and its role in constructing the characters of the novel with its external dimension, Which controls the architecture of the novel trying to look at the significance of the composition in changing the behavior and values of the characters, and knowledge of the structure of the time, according to the time as well as the function performed by the technical template and its effectiveness