دوافع الآبداع الشعري : بدر شاكر السياب أنموذجا

Author

سادة، نهلة حنون

Source

مجلة آداب المستنصرية

Issue

Vol. 2012, Issue 57 (30 Jun. 2012), pp.1-25, 25 p.

Publisher

Al-Mustansiriyah University College Of Arts

Publication Date

2012-06-30

Country of Publication

Iraq

No. of Pages

25

Main Subjects

Literature

Abstract EN

The Badi Creator: - is the thing that first.

And innovation is not something considered unacceptable in all circumstances, there is fad-hui that are consistent with what came in the book of the year.

The shadow is what heresy otherwise.

And creativity from the point of psychology is to compensate for the lack or achieving the same.

Poet and creative dying, may experience related to ego gave him to raise an old experiment took place on the ego and exchanged trials of vulnerability and impact.

Induction and production of the poem, then creativity is born of the conflict in the soul, a major conflict resulting from the impact of the poet in particular and the Pacific particularly affected.

We have noted that the term motive is the same motive, and there is a question must be answered is, Is there a creation without a motive? The answer is lack of motivation to be signed by the writer in the cost statement.

We must point out that the vigilance of the grounds of the good work.

And reminded us that the ancients are many factors to creativity, and after there is a relationship between the poet and his society, is the conflict between personal goals and common purpose.

Why we chose the Iraqi poet Badr Shaker al Konmozja to influence his society and his life and put the physical and health, he lived to have lost Hanan mother and father Trailers and then one by one.

Since the reading and education is an important factor in shaping the poet's experience, the creator, but can not count on it entirely to the poet shows us a distinct, but there must be a spiritual creativity, and this is what provides the intellectual and personal Sayab-looking.

And thereby became a pioneer of the free movement of modern poetry.

But the tragedy of the poet lies loneliness in his eternal for his mother and father and grandmother and suffering in exile, emotional and spatial, so his life was unstable, has been known of granules many did not have in them luck please them Wafiqah and Labiba and praising him and others say: "I wish BC the Diwani to escape from the released to the second may die of envy I tell him "Oh! of Thuak Thuane In the events of his day did not witness Sayab transient, but fought in the depth of the most crucial events.

Although disease poet and his body exhausted but he wrote a poem (such as a message in the cemetery) where the complaining from Baghdad, which did not arise.

Hands, O Hassan Ojaddat resurrection ...

to say that if Ah Herat, which did not arise, and lived with millions of poor and club vote and say that I walked with millions of poor.

That the Siab his own style and almost the reader knows that even without his poems attributed to him, through various methods such as slang words and the reflection of his life in his poems Bdakkaigaha.

American Psychological Association (APA)

سادة، نهلة حنون. 2012. دوافع الآبداع الشعري : بدر شاكر السياب أنموذجا. مجلة آداب المستنصرية،مج. 2012، ع. 57، ص ص. 1-25.
https://search.emarefa.net/detail/BIM-967547

Modern Language Association (MLA)

سادة، نهلة حنون. دوافع الآبداع الشعري : بدر شاكر السياب أنموذجا. مجلة آداب المستنصرية ع. 57 (2012)، ص ص. 1-25.
https://search.emarefa.net/detail/BIM-967547

American Medical Association (AMA)

سادة، نهلة حنون. دوافع الآبداع الشعري : بدر شاكر السياب أنموذجا. مجلة آداب المستنصرية. 2012. مج. 2012، ع. 57، ص ص. 1-25.
https://search.emarefa.net/detail/BIM-967547

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش.

Record ID

BIM-967547