التفاعل و تلقي أنطولوجيا الخطاب عند الجمهور في المسرح العراقي

Abstract EN

Addresses the researchers in the study (interaction and receive anthology of theatrical discourse) when the public in the Iraqi theater, by focusing on the processes of interaction between the language that result from the physical elements that make up the ontological configuration of the speech theatrical reception for this configuration to the theater audience and the mechanics of forming the construction of mental and between (presence mental ) and what form a theatrical work down to the adoption of meaning resulting from the interpretive process that is outside of the presence of the display of the play a central role, which means that work direct presence is imposed on the receiving public through aesthetic images and technical construction of the display mechanism for receiving, Thus, ontological configuration of the speech in the display achieved through this aesthetic equation in which the first party to be working outside the inverted presence in mental presence and the second equation, which is the recipient of supply and essences Ugodath in the mind of the recipient.

Where is the moment of interaction in the receive theater is an important moment in the context of the meaning of theater production operations in the mind of the public theater, which is supposed to be prepared and ready to do the watching and watching the theatrical presentation.

Because each end of game play (creator anthology discourse playwright and the audience) realize that the meaning of the theatrical discourse production process remains incomplete construction in the mind of the recipient without causing a moment of direct interaction, so it is located on each side to prepare a mission to play a specific role in the production of the meaning of the offer letter by the interaction between them.