سيمياء الجسد في ديوان "أول الجسد لآخر البحر" لأدونيس : الانفتاح الدلالي و التشاكل السيميائي

Abstract EN

This research deals with the analysis of Adonis' poetic perception of the body as a sign from the surface to the depth, representing the model of factorial Structure at Grimas, which he distributed in three axes: the axis of communication, the axis of desire, and the axis of conflict.

The axis of communication includes the addresser and the receiver while the axis of desire includes the subject and the object, and the axis of the conflict focus on the assistant and oppositionist.

In the analysis of these axes, the main focus of desire and conflict has been confined to the presence of the axis of communication in a large abundance of narrative texts, often lacking in poetic texts.

Furthermore, the axis of desire combines the self-desire / poet (according to the poetic texts of Adonis), and the desired object.

Based on this relationship between the subject and the object, the transition is to be from one state to another, from the state of communication to separation or vice versa.

This study called for several semiotic concepts, such as the Semiosis, the Isotopy, and the Semiotic Square.

It also began from Pierce's thesis on the types of interpreter as procedural tools that would help to perceive Adonis' conception of the body within the limits of his poetic texts within the concept of the polysemy