أولية تمثل الحداثة في الخطاب النقدي التونسي المعاصر : قراءة في تجربة الشاعر محمد الغزي

Abstract EN

It is commonplace to state that contemporary Tunisian poetic discourse has switched its interest to the reading of Western poetry, it is perhaps due to this typical form of writing that gave the poetic discourse a new flavour with regard to modernity.

What needs to be said that it is a proper form of writing that brings to the surface the hidden rhythms as well as a different sort of rhetoric which has never been highlighted in the previous poetic writings.

In light of this, the influential poet Mohamed El Ghazi can be a good case in point who took as his major concern to light up in his poetic writings modern forms of poetry which were neglected anciently in rhetoric as they were adopted by modern poetry in light of the contents of Sufi discourses and the context of Kairouan heritage archaeology, in addition to the experiences of the makers of jurisprudential discourse in Tunisia more particularly.

Then, Mohamed El Gazi as a founding father of modern Tunisian poetry proceeds from his own poetic experience and that of the poetic Tunisian modernity, has projected a new vision that gave birth to a new form of writing that enriched the poetic discourse.