استراتيجية توظيف الصورة في الخطاب الشعري العربي في ظل التصور النقدي التقليدي

Abstract EN

It is commonplace to note that poetry is originally perceived as a conception and representation in written art.

whereas the poem paint vividly powerful images.

It is of essence to state that images vary tremendously according to the depicter's fruitful and genuine imaginationThe poet just like any creative author is the product of his own culture, society and heritage and so is his portrayal of images which are his own fruit that allow him to play his aesthetical experiments freely and without any restrictions since they are governed only by the affect.

.

The present subject matter has attracted a widespread attention and has been at the center of attention of so many ancient scholars, , to this ens, the question brought to the surface is that do modern poets approach this reality similarly?